Google Glass: obedience to the Matrix
Google Glass: obedience to the Matrix
by Jon Rappoport
April 14, 2013
It's now being suggested
AN EXCLUSIVE INTERVIEW WITH
DR. BARBARA STARFIELD:
MEDICALLY CAUSED DEATH IN AMERICA
By Jon Rappoport
On July 26, 2000, the US medical community received a titanic shock to the system, when one of its most respected and honored public-health experts, Dr. Barbara Starfield, revealed her findings on healthcare in America.
The landmark Starfield study, “Is US health really the best in the world?”,published in the Journal of the American Medical Association, came to the following conclusions:
Every year in the US there are:
12,000 deaths from unnecessary surgeries;
7,000 deaths from medication errors in hospitals;
20,000 deaths from other errors in hospitals;
80,000 deaths from infections acquired in hospitals;
106,000 deaths from FDA-approved correctly prescribed medicines.
The total of medically-caused deaths in the US every year is 225,000.
This makes the medical system the third leading cause of death in the US, behind heart disease and cancer.
THE JACK TRUE INTERVIEW ON HUMAN POTENTIAL
I met Jack True in 1987 while I was working on my first book, AIDS INC. A mutual friend introduced us one afternoon at the UCLA Biomedical Library, where I was combing through medical journals.
Jack seemed to know a great deal about medical-research fraud. He pointed me to studies in the stacks, and then we sat down and had a long talk about animal research, and I learned more than I wanted to know about the cruelty of that industry.
I discovered that Jack was a hypnotherapist. I had always been interested in hypnosis. He suggested we meet again and talk about his research. This led to many dinners at a Chinese restaurant in Santa Monica, California.
THE DICTIONARY OF THE SOUL
A LIFE MORE REAL THAN THE ONE WE ARE LIVING
READING THE SOUL
APRIL 24, 2007. It's like a cobweb supporting drops of fresh dew---and then the web burns away in the morning sun.
How do you describe a dream that is vaguely remembered as you come out of sleep and then fades away as you go about your business for the day? How do you convey the feeling and imprint of it?
Well, there is language underneath ordinary language, and it too fades away quickly.
This underneath language is like a web that connects you with feelings and places and people you don't know in a waking state.
This underneath language expresses your presence in a sea of rising and falling events---a different life than the one you are living.
This underneath language connects you to words that don't exist in any dictionary.
THE RETURN TO IMAGINATION AND MAGIC
DECEMBER 17, 2009. Taking a semi-break from medical/science issues.
Space is a collapsible item. It can be taken down like a stage set and later rebuilt, differently, in the twinkling of an eye.
Imagination does the rebuilding. And in doing so, transforms a life.
When I started painting in the fall of 1962, in New York, I experienced that in spades. Until that point, I pretty much assumed the world was the only space available.
In a small apartment in Manhattan, I painted day and night. I hung some of the finished work and the rest lay around me on the floor. To say each piece was its own world was not a metaphor, in my eyes.
It was an extreme confidence builder.
Imagination is always there: waiting. It's inexhaustible. It has no limits. It's not dependent on time or place. And in the launching of new spaces, it restores an ageless satisfaction.
The deepest Life has no clock. It doesn't creep along a line of advancing history. It moves out into endless improvisations.
I've posted a number of interviews I did with my friend and colleague, Jack True. Jack started out as a hypnotherapist, and then later changed his method of operation with patients, so that imagination became his primary tool. In the middle of one of our interviews, he said:
Let's face it. Without imagination, we'd all be dead. We'd be robots. We might be trained to perform acts, but there would be no life in us, just a current of minimal electricity to keep the whole show going. The paradox is, most of us deny having an imagination. Or if we'll admit it, we say we don't know how to use it. What is that all about? And then, on top of this immense lie we're telling ourselves, we say we want a better world. A better world for whom? Robots? Is that what we're aiming for??
At that point, I said, The most direct road to imagination is art. You can't really avoid it. If you use your imagination long enough and widely enough, you end up doing art. But that seems to be a dirty word. People avoid it like the plague. They think you're consigning them to Hell. Art? No, anything but that. I'd rather dig ditches than make art.
Jack laughed and pointed out the window at the street. You see that?? he said. That's what people claim they want. Reality as it is. No frills, no add-ons. They just want what's real. They keep saying it over and over, and that's what they damn well get. It's a full-blown phobia. So-called reality is the cover story everyone buys. And when you start to take the lid off the cover story, they protest. They're secret agents of reality as it is, and you're taking away their legend, their handle, their job. You're exposing them to the enemy. Except there is no enemy. That's a myth. When you explode the myth, you're left with imagination. And art. That's all. No one is bringing us a new world. We make worlds.